Flory, Pamela Jean, “Six chansons of Paul Hindemith: An Analysis in Relation to Performance” (). Un cygne.?vance sur l’ enu. Un cygne – Hindemith, Paul (Musica Database) (A swan is breasting the flow ; Un cygne avance sur l’eau). Hindemith, Paul ( – ) [Germany]. Choir Midi Learning Files for works by Paul Hindemith. Paul Hindemith. ( biography). Google Enter your search terms Un Cygne – The Swan. Tutti. Soprano.

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Hence, the edition is public domain in its country of origin or a government publication. For each chord, analyze its structure as a stack of fourths or fifthstaking into account the possibility that a note might be “missing” from the chord, a note which would complete its analysis as a stack of fourths or fifths.

Any major changes could affect their assessment results. Page size is In your hindemlth and for the class discussion you may want to consider the following questions.

6 Chansons (Hindemith, Paul)

What, if anything, do you think is a tonic note? Edit rating Delete rating. You can find the score here: They may not be public domain elsewhere. En Hiver In Winter: Creative Commons Zero 1.

Un cygne – Hindemith, Paul (Musica Database)

Write out your analysis on staff paper or computer-printedreordering the chord voicings as a stack of fourths or fifths or, rarely, as a tertiary chord to show the underlying quartal harmonic structure. Naxos Javascript not enabled. Puisque tout passe Since all is passing: Bring your analysis to class to hand it in, or submit it in the Canvas dropbox associated with this class.


Associated Music Publishers, Practice singing the part that’s in your own vocal range. Contents 1 Performances 1.

For example, the first chord is analyzable as the quartal triad B-E-A with a doubled B on top ; the second chord the first chord of measure 1 is analyzable as B- E -A-D-G, a four-note chord that’s essentially quartal with an unstated E ; the third chord is analyzable as a four-note quartal chord G -C -F -B, and so on. How are they like, and how are they unlike, tertiary chords? Retrieved from ” http: A few chords, especially at cadences, are tertiary triads, but most are not.

IMSLP does not assume any sort of legal responsibility or hindemitj for the consequences of downloading files that are not in the public domain in your country. Use this rubric for assignment grading.

Remove points from rubric. Javascript is required for this feature. You can practice along with the recording to hear how your part fits in with the other parts. Continue analyzing the chords in this way for the opening phrase and the ending phrase, writing each chord out as a stack of fourths or fifths on a separate piece of staff paper except when you think a tertiary interpretation cyyne more reasonable.

Un Cygne A Swan: What, if anything, are the traditional scale-based, classical harmonic implications of these chord progressions? Edit criterion description Nu criterion row This criterion is linked to a Learning Outcome Description of criterion view longer description Range threshold: I’ll write free-form comments when assessing students.

Duration 8 minutes whole work Composer Time Period Comp.

Chansons ; Songs ; For mixed chorus ; Scores featuring mixed chorus ; For unaccompanied chorus ; French language. Birth and death dates are unknown for her as of writing this.


Analyze the opening phrase from the beginning till the downbeat of measure 5 cygn the closing phrase from the pickup of measure 18 till the endfocusing on the chord structures. Don’t post Outcomes results to Learning Mastery Gradebook.

Hindemith: Un Cygne

Can’t change a rubric once you’ve started using it. You’ve already rated students with this rubric. More information about this can be found here. This criterion is linked to a Learning Outcome Description of criterion. In retrospect, you can see that the second chord can also be analyzed as a three-note quartal passing chord A-D-G where the B is a pedal tone exists in the same voice in all three chords and the other three voices move by step from the first chord to the third chord.

This area will be used by the assessor to leave comments related to this criterion. Consider the C-naturals in the soprano to be ornamental non-chord neighbor tones not a very significant part of your harmonic analysis. It appears that in this piece Hindemith was focusing on chords built in fourths quartal harmony rather than in thirds tertiary harmony.

As you listen to and study the whole piece, you might also want to think about how the composer controls the rhythm of the text setting and the use of recurring harmonic and rhythmic ideas to emphasize the formal structure of the poem.