EL VITO OBRADORS PDF

Composer: Fernando J. Obradors () Teresa Berganza, soprano; Felix Lavilla, piano. Aix-en-provence festival 18 July El Vito. El vito is a traditional folk song and dance music of Andalusia whose origins can be traced back to the 16th century. Its name refers to the “disease” known as St. Fernando (Ferran) Jaumandreu Obradors (–) was a Spanish composer . Obradors His orchestral work “El Poema de la Jungla” is inspired by The Jungle Book stories by Rudyard Kipling. Many of his contemporaries left Spain to .

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The piece is very atmospheric and has the feeling of being in the tavern, as is the origin of the piece. I want to learn this piece!

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How exciting when the images are so clear from listening to a piece. It kind of feels not quite finished even though the way the pianist played the final chords would indicate an end.

The guitar figures are apparent in the piano accompaniment. I love the piano’s role with the repeated notes. Thank you for posting it for us. Berganza’s performance of the Obradors could not be more dynamic, and I love the nonchalant way she presents obracors difficult song.

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Julie April 2, at 2: Grant mack April 9, at 9: Beverly April 8, at 8: From the “no, no” to the fiesty “Ay! The Links and Labels below should be helpful in finding what you are looking for.

Another interpretation where the rhythmic vigor relies much more on crispness and precision than in weight of accents. Stop your teasing, sir, else I’ll blush!

Sarah Brauer April 9, at It reminds me of Flamenco music, and I can see her move her shoulders slightly as if she’s controlling herself from breaking into Flamenco dancing. I enjoyed the rhythmic energy and drive of this music. Dylan Bunten April 9, at 9: The piano is very reminiscent of the guitar with the repetitions, and the singer uses her face very obraddors to interpret the text.

Fernando Obradors

Some of the runs sound more pianistic than guitaristic, but the majority of the writing definitely sounds guitar inspired. She communicates so much with just her eyes. I wonder if the quickly repeated notes that are so difficult on the piano are an example of “punteado” as was described by Kimball in the reading.

The introduction of the piano was absolutely amazing it really built up the excitement for the piece.

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Song Lied Mélodie: “El vito” by Obradors

Berganza has a lovely sense of line, and the soft stacatti sections almost feel like teasing. How to navigate this site: Yoshi April 10, at 9: She brings so much nuance to the character, and what a piano part! The pianist in the performance did an excellent job of emulating a guitar with rhythmic clarity and precision. The piano part somehow reminds me of Falla’s “Polo” the repeated notes.

Canciones Clásicas Españolas, Vol.3 (Obradors, Fernando)

It was also nice to hear a performance with a different dialect than Spanish from Spain or Mexico, which is what I’ve typically heard this piece performance.

Another thrilling piece that keeps you on the edge of your seat! Somehow Theresa Vkto sings this with a sense of relaxed ease, you can see it in her body and hear it in her voice. Andrew April 5, fl Katalin April 7, at 2: It looks so fun to perform. It is such an effective performance.