Andrew Sarris: Director Categories from “The American Cinema: Directors and Directions ” [Published in ]. “The American Cinema is more than . The American cinema: directors and directions, Responsibility: by Andrew Sarris. Edition: 1st Da Capo Press ed. Imprint: New York: Da Capo Press . Andrew Sarris. · Rating details · ratings · 16 reviews. “The American Cinema is the Citizen Kane of film criticism, a brilliant book that elevated American.
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It is not just that one likes to be reminded of Sarris’ views on this or that director or film, but it is wonderful to share the clarity of his vision in trying to put these great and not so great works into perspective. I’m not sure they do what he accuses them of anyway.
Oct 23, Eric rated it it was amazing Shelves: October 31, BrooklynNew YorkU. Directors and Directions, by Andrew Sarris.
Best book ever written!
Somewhat controversially these are divided hierarchically beginning with a pantheon containing the best of the best, and various categories tue near misses, over and under rated, also ran etc.
In this book, Andrew Sarris operates under the simple premise that a film’s primary author is its director. Nov 26, Stephen rated it it was amazing.
Andrew Sarris, The American Cinema: directors and directions –68 | Screen | Oxford Academic
Montclair Book Center Condition: We established a dialectic. The book includes some British directors largely on the basis of their British films, but had very little on American independent or avant garde film. To see what your friends thought of this book, please sign up. Some cover wear, may contain a few marks. Showing best matches Show all copies. Trivia About The American Cine He also identified second—and third—tier directors, downplaying the work of Billy WilderDavid Leanand Stanley Kubrickamong others.
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But Sarris, who was film critic in chief of Village Voice at the time it was written, was at an intellectual level far beyond that of most film academics and he used his chatty, hip style to make his undiluted and penetrating analysis accessible to all.
Da Capo Press, He wrote for The New York Observer until and was a professor at his alma mater, Columbia University Most famous for his essay “Notes on the Auteur theory” which popularized this film criticism technique in America. In addition, the book includes a chronology of the most important American films, an alphabetical list of over films with their directors and years of release, and the seminal essays “Toward a Theory of Aarris History” and “The Auteur Theory Revisited.
So it remains an indispensable reference. Each director is given a one- to two-page pen picture with a filmography that indicates the most important works. The beauty of those brief essays is that, without engaging in detailed analysis, Sarris manages to describe the essence of each author by uniting a frequent technique or style with a worldview or philosophy.
Find Rare Books Book Value. That these ideas are widely accepted now is partly a measure of the book’s success, neither idea was mainstream in American film crit This is a book based around two straightforward but powerful ideas.
Open Preview See a Problem? The Preface to the book is killer Maria rated it it was amazing Jun 28, Sarris’s brilliant and seminal americaj and compassionate analysis of the work of American movie directors.
“The American Cinema” (Andrew Sarris) Watchlist
Sarris was a co-founder of the National Society of Film Critics. It is not necessary to agree with all of his judgments, but if your assessment of any of the films he really rates is greatly at odds with his, you would do well to go back and re-view the work a few times, because, like as not it will be you that has missed something important, not Sarris who has over-estimated I love the films he loves, but I also love the films he hates– Lawrence of Arabia is one of my favorites, for example.
Finally, Stanley Kubrick won in the end, in that the generation after the writing of this book was influenced greatly by his work. The most readable overview of directors – didactic but full of humour.
A few unrelated observations. And it quickly becomes apparent just how many films, and how much dedication Sarris must have inv Indispensable, and a testament to Sarris’s establishment of a robust, eloquent and organic approach to auteur theory in the U. Heavy wear to cover.
It is his own concept of the film director, whom he says that could go completely unnoticed in most cases, but could define the art of the film in some miraculous exceptions, that makes most of his comments on the lesser names rather dull Want to Read Currently Reading Read.
Andrew Sarris, The American Cinema: You could not be signed in. What makes Biblio different? Sarris’ method of ranking directors in The American Cinema has been criticized as elitist and subjective.
First Da Capo Press Edition. A touch of offsetting to the front endpapers, owner initials on the front endpaper, and only the most minute wear to the jacket.